Wednesday, December 2, 2015

Creative Practice #15: Time is a variable. Let students re-take tests and re-submit essays. Work for mastery. "The Student is the Class"


 What does it mean to allow TIME to vary?


This talk by Alfredo de la Rosa, principal of Miami Arts Charter School, lays out the philosophy.




A school in Colombia uses the technique called "time is a variable." .... If we can stretch time for some students, then they can gain mastery.






Time is a variable.   Let students re-take tests and re-submit essays.  Work for mastery.  See Soundcloud.com (Alfred de la Rosa, Miami Arts Charter School and Dr. Fischler)




Dr. Fischler talks about "sthe student is the class"   see also Personal Learning Plans




See commendtary about the Fontan method
Independent Educator
Learning 1 to 1



Creative Practice #14: Put lessons on YouTube and join the 1-percent (see Vsauce) (page 171) ... and try Peer Instruction

Good teaching technique.
Effective for helping students learn.
Excellent way to engage the attention of students.


Are these comments about effective teaching methods or about creative practices?  If we are going to encourage students to look forward to creating in schools, we might want to make the lectures more engaging and interesting... something for them to PARTICIPATE in... which is a form of creating a helpful experience for everyone in the room.

If you put videos up on Youtube, you are creating.
Look at the Vsauce channel that is described in Creative Schools (Ken Robinson) on page 171.









Now see the professor at work.












A longer explanation (yawn)




Another hour of your life:



CREATIVE practice #16: Create a MakerSpace (see the article in EduTopia.org)


search for "makerspace edutopia" and you will find three articles to begin your creative endeavor.




Create a MakerSpace  (see the article in EduTopia.org)
Design a MakerSpace <<< Edutopia.org  

Tuesday, December 1, 2015

CREATIVE practice #9: Include the hands -- engage visual arts in the curriculum and make sure students know how to change a tire. Put books in the hands of students.

Hint:  What will happen if you try to loosen the
nut while the car's end is suspended in air?
In a school in Hollywood, Florida, the students need to swim fifty feet and show that they know how to change a tire.


Key question:  When do you start removing the nuts from the bolts that hold the hub in place?  Before you start raising the car or after the car is raised up?
The aim of this practice is to engage the mind through the hands.  Enrique Gonzalez, former principal of Highland Park High School, recommends a book called "The Hands." 




The Teen Liberation Handbook

There might be other books that might stimulate creative practices.  Allow books into your room that challenge the status quo ... why not put three books that you disagree with on the table next to the classics of Dan Pink and Malcolm Gladwell?



Putting together a shelf might be the most creative thing that the student does... because the work leads to other things to learn.











CREATIVE practice #8: Begin with the End in Mind. (the work of Steven Covey and the 7 Habits of Effective People)

A school in Naples, Florida has the seven tips developed by Stephen Covey on its walls.  Begin with the End in Mind is central to the work achieved by this creative practice.

Many "creative practices" are simply effective teaching methods.


Paint or hang the habits on a wall.  Put them on walls where students will see them daily.





Creative Practice #12: Take care of the brain (Dr. Daniel Amen's recommendations), especially the right fat, plenty of sleep and reducing Automatic Negative Thoughts with ANTeaters

This  "Creative Practice" involves a set of behaviors that need to be unlearned.  Daniel Amen talks about these "brain healthy practices" and each of them could be a separate Creative Practice.
See his "12 prescriptions brain healthy amen" (do a search).


Sweets
Food for the Brain
Protein shakes at West Hollywood
Private School
We suggest the book Sugar, Salt, Fat by Michael Moss.  Learn about the "bliss point" and how to wean yourself from sugar, fat and salt.  The rule is "eat for your body and brain, not for your tongue."  Children have four times more taste buds in their tongues than adults (no wonder kids demand drinks that are often four times sweeter -- imagine a drink with four spoonsful of sugar compared with one spoonful).




Sleep
The evidence is in... Mother was right.  We need our sleep.  Creativity doesn't happen if we don't have enough shut-eye.



Arianna Huffington "sleep your way to success"


Automatic Negative Thoughts
Dr. Daniel Amen amenclinics.com suggests techniques for removing "ANTs" with "ANTeaters."  His methods work well for elementary school students...  Try to get a teenager to imagine an ANTeater... hooboy...
"Whenever you feel sad, mad, nervous or out of control, write down what you are thinking..."   "Most schools don't teach students how to manage their thoughts."
1. write down the thoughts
2. identify the automatic negative thoughts
3. Ask, "Are any of these thoughts true?"
4. Then you talk back to those thoughts.
5. Then you can discard that thought.  This is how we create ANTeaters for each thought.


YOUTUBE for more videos by Dr. Amen.


There is a one-page summary from HR.NIU.edu/  www.TINYURL.com/XYDautomatic
www.TINY.cc/XYDautomatic 





Positive mindsets and attitudes are part of "being creative."






Send your comments and suggestions to NextGenerationXYD@gmail.com
This project is funded by XYDFoundation.org
For the complete list of Creative Practices, click here
To support the spread of Creative Practices, donate to XYDFoundation.org

Monday, November 30, 2015

CREATIVE practice #11: Digital Portfolios. Look at what students at High Tech High (San Diego, Calif.) can do

Teachers often cringe when they see what students do to their personal work.  "I'm done.  I got the grade."  


What would you give to have a copy of that chemistry paper that you spent days writing in 10th grade?   


What if you could find that paper in a Digital Portfolio?   Look at what students at  High Tech High can do...  search "high tech high digital portfolios"


www.TINYurl.com/ExampleDP

Creative Practice #3: Show students how to REFLECT on their learning. Stonefields School in New Zealand


Teach students about "getting out of the Pit."


Watch this video.


XYD Advisor Steve McCrea went on a tour of the school in 2013 with education advocate Gordon Dryden.  Here are some videos:


















Let's repeat this Creative Practice #3:  Show students how to REFLECT on their learning.  Stonefields School in New Zealand


WEBSITE

CREATIVE Practice #4: Keep asking questions (Peter Cookson) and "look for learning in many different places"

Peter Cookson wrote a compelling argument and asked a bold question: 

What would Socrates do?

Here's an excerpt from the article:

To start, we must overhaul and redesign the current school system. We face this great transition with both hands tied behind our collective backs if we continue to pour money, time, and effort into an outdated system of education. Mass education belongs in the era of massive armies, massive industrial complexes, and massive attempts at social control. We have lost much talent since the 19th century by enforcing stifling education routines in the name of efficiency. Current high school dropout rates clearly indicate that our standardized testing regime and outdated curriculums are wasting the potential of our youth.


If we stop thinking of schools as buildings and start thinking of learning as occurring in many different places, we will free ourselves from the conventional education model that still dominates our thinking. Socrates did not teach in a conventional classroom; his classroom was wherever he and his students found themselves. His was the first "personal learning network," and he taught with the most enduring teaching tool of all time—the purposeful conversation. He called himself a citizen of the world because the questions he asked were universal.


Even though Socrates was a philosopher, he did not hide in an ivory tower. He used knowledge to challenge the status quo. I think Socrates would embrace the new learning era with all the energy he had. We need that same embrace today to move beyond the false dichotomies and empty arguments of our tired education disagreements and to joyously engage with the future.




CLICK HERE
Just asking that question will cause some classes to become more creative.


Return to the list


Suggested by Mario Llorente, advisor to XYDFoundation.org

CREATIVE Practice #7: Read excerpts from Sir Ken Robinson's reports with students and teachers


Start here:  Download the report called ALL OUR FUTURES. 


What might happen if students were to read "adult writing" and  excerpts from Sir Ken Robinson's reports?


Why not turn classtime into "teacher training time"?  
What happens when adults are given recommendations... day after day... and then we ask teachers to discuss the recommendations with students?  LINK   http://sirkenrobinson.com/pdf/allourfutures.pdf




Here's an example of an excerpt...


 

















Action by Schools

1. Head teachers and teachers raise the priority they give to

creative and cultural education; to promoting the creative

development of pupils and encouraging an ethos in which

cultural diversity is valued and supported.


Find more excerpts at sirKenRobinson.com


His blog  http://sirkenrobinson.com/blog/

Creative Practice 18: Let the same teacher teach the same students for four years in a row. (See Big Picture Learning)

What might happen if we allow teachers to teach a student several years in a row -- the teacher follows a cohort of students.  Big Picture Learning schools use this procedure -- one teacher for most of the subjects... for all four years of high school.
Some elementary schools allow the second grade teacher become a third grade teacher, following the students.

a Free Ebook

How does this practice support creativity?  Any process that builds a stronger relationship between a teacher and a student will tend to lead to more creativity.

You can see how this practice is used at Parkmont School in Washington, DC. and at Big Picture schools   metcenter.org   bigpicture.org


Buy the book


This practice is found in smaller schools and in many elementary schools.  SEE BIG PICTURE SCHOOLS  The advantages are clear
a) the students get to know one teacher
b) the teacher can point out the connections between subjects
c) the math teacher and science teach and the teacher who teaches history can meet to create a project... oh, what if one teacher covers those three subjects?  then there's an interdepartmental meeting everytime the teacher stands in front of a mirror.  One teacher can help a student design a great project that includes comments about three areas.

The disadvantages?  Some students might complain about "having the same teacher "for years."


CREATIVE practice #6: Let teachers teach several subjects (allowing more contact with individual students)

This practice is found in smaller schools and in many elementary schools.  The advantages are clear
a) the students get to know one teacher
b) the teacher can point out the connections between subjects
c) the math teacher and science teach and the teacher who teaches history can meet to create a project... oh, what if one teacher covers those three subjects?  then one teacher can help a student design a great project that includes comments about three areas.

The disadvantages?  Some students might complain about "having the same teacher day after day, hour after hour"

The next step is to allow teachers to teach a student several years in a row -- the teacher follows a cohort of students.  Big Picture Learning schools use this procedure -- one teacher for most of the subjects... for all four years of high school.

a Free Ebook

How does this practice support creativity?  Any process that builds a stronger relationship between a teacher and a student will tend to lead to more creativity.

You can see how this practice is used at Parkmont School in Washington, DC. and at Big Picture schools   metcenter.org   bigpicture.org





CREATIVE practice #17: "Show respect to everyone you meet." (John Corlette)

Hmmm.  This practice at first glance looks like a "character building" exercise. It's not related to "original ideas that have value," is it?


Well.  It's fairly straightforward to show respect to people we like.
It's perhaps less easy to smile and acknowledge the homeless fellow or the loud and annoying person...  "Everyone" requires some flexibility, some original way of handling the situation, some emotional resilience...  hmmm, it sounds like CREATIVITY. 






See JohnCorlette.com   JohnCorlette.com    OurAiglon.com   


For posters that have been created using Corlette's educational methods...


TinyURL.com/jcspeech  Free ebook



Creative Practice #1: Personalized Learning (Guest Post by Spencer Smith) at Parkmont School, Washington, D.C.

Procedures at Parkmont School in Washington, DC.

A Statement about Personalized Learning
by Spencer Smith

             Personalization in the school system, to put it simply, is the only way to reach children, teens, and young adults. I know this from my experience of growing up and starting school in a depersonalized public school system, then I moved to a friendly, healthy, and nurturing environment that comes with going to private/ smaller schools that can focus on student-teacher relationships. Below, I will share with you the difference between the two.
             The public school system, to be fair, is not horrible or flat out wrong; it is just not built for everyone. Children with learning disabilities like myself are a prime example of those that get left behind or falter.  Tens of thousands of students graduate middle and high school every year with passing grades and go on to college to make something out of themselves. The main problem in my opinion with public schools is that they are too generalized or categorized. Standardized testing, block scheduling, and large format classrooms can support this. Why should your entire high school career be based on state standardized tests? My guess is laziness on the board of education’s part. Why does the whole school have to adhere to scheduling that may make certain classes too short or too long? Each school not taking the time to go through compiled information from years before too see how students did in classes that needed less or more time for them to stay focused. Finally, why do public schools cram as many students into one classroom as possible? Why put such an unfair load on one teacher, who might be lucky enough to have an assistant from time to time? If you are one teacher, with forty to fifty students in a classroom, how do you know you helped all of them? How do you know you did not leave any of them behind? How do you remember all their names?



             The culprit behind all of these issues is poor funding for public schools and overcrowding, which has led to the depersonalization of public school relationships between student and teacher. Not being able to spend more than a few minutes with each student in the classroom has crippled the teacher's ability to make sure each student understands what he or she is teaching. The teacher is so swamped with work load, that he or she is forced to rush through lesson plans in hopes that enough students understand and pass so that he or she does not get fired. This is not how things should be for the general population.
So where do I come in all of this? My story, like most others; involved me not performing well in school. I was not getting the individualized attention that i needed to excel in school. I was sitting in classrooms that had thirty five to fifty students in each class since 5th grade. All in all, i was getting left behind and losing my footing without even knowing it, by the time i was in seventh grade i was barely passing classes. Any of the classes I was passing were the few subjects that I was passionate about, or I was cheating my way through the semester. This was what dealing with public school was like for me and many others. When I dropped out of school in the beginning of junior year, I had lost hope years before, it had just taken me years to gain the courage and realize that i was not going anywhere. But all that was about to change.
I had been out of school for a year, working dead-end jobs and not being inspired to do anything with my life. My aunt up in D.C. knew of a small private school that she had sent some of her elementary students too. She said the school was from sixth grade to twelfth and that she would help my parents pay for it (it was a little pricey). I went up and visited and really enjoyed my orientation. They never pressured you into making a decision, all they wanted you to do was commit to your education and they would help you the whole way.


CREATIVE PRACTICE #1:  Small School  (smaller than 200 students)
 I loved the school from the get go; with a total of 65 students from sixth to twelfth grade, ten teachers was more than enough for everyone to get the attention they deserved. You knew your teachers and administrators by first name, there was only a casual dress code enforced, no uniform. The school day started with home group, which was the entire school coming into the main commons to discuss anything that was coming up, announcements, roll call, and preparations for what food was going to be provided for lunch that day.


The classes were at most twelve students per class, which made it ideal for each student to have the teacher's undivided attention for up to 10 minutes. This made it possible for you to get something you were not fully understanding. 




CREATIVE PRACTICE #2: Frequent Feedback (Weekly Progress Reports)
The school had weekly progress reports instead of once a semester like in public schools we had been in before. This meant if you were falling behind in any area of any class, you were only at most a week behind, unlike in public schools where you could get up to six weeks behind. It's easier for anyone to catch up on only a few assignments or lessons instead of half a semester.


CREATIVE PRACTICE #3:  One teacher teaches several subjects
(Teachers can blend subject material -- find the math in English and the History in Science)
The teachers all taught every subject, so it was very possible to have one or two teachers the whole day instead of three to five in public school. So your teacher could really build a relationship with you on every level, they could gauge how you were feeling throughout the day, and most importantly, if you did not get something from last class that you forgot to mention in that class, you could always bring it up and have the issue addressed.




I went from barely passing in public schools, to almost having a 4.0 grade average at Parkmont. I went from being bored out of my mind in large classes, to being unable to get distracted from learning in small classes. So if I were to sum up this experience in a sentence, i would say:  (1) small classes make for engaged students that actually retain the information they are given, (2) they make for lasting relationships that i still have with my teachers to this day, and (3) they most importantly, treat the students like they are an individual student, not just another number for the teacher to crunch and try and get through the year. If the reader of this paper would like to look into the school I went to, you can check it out on the internet by going to Parkmont.org. I strongly recommend it.



Now, where does this all tie up with West Hollywood Private School? 
It is a school that wants to think differently and outside of the box unlike public schools, 
it wants to build a relationship between the teacher and the student, and most importantly, 
it wants to nurture students that have come from being lost and hopeless in the public school system, to an independent student that wants to ask for help, wants to succeed, and wants to be able to know that their teacher or professor will be there for them. 
Thanks for reading, and I hope this story has enlightened you on the matter of thousands of children who need help out there.


I put this list together and these examples called "OTHER" are gathered from ten years of attempting to put the words of Big Picture into action.  Please send me your suggestions  ManyPosters@gmail.com)

BACK      NEXT     <<<< Go to the website

Wednesday, November 25, 2015

Creative Practice #2: Move away from grades and gradking... as Alfie Kohn puts it: "go from DEGRADING to DE-grading"


Move away from grading.

Click here to visit his blog's page about "Move away from grades"

YOUTUBE                    TWITTER



Send Joe an email message  joe.bower.teacher@gmail.com






327 views and 3 Likes on Nov. 24, 2015.


Creative Practice #1: Personalized Learning

Procedures at Pagemont School in Washington, DC.

A Statement about Personalized Learning
by Spencer Smith

             Personalization in the school system, to put it simply, is the only way to reach children, teens, and young adults. I know this from my experience of growing up and starting school in a depersonalized public school system; to a friendly, healthy, and nurturing environment that comes with going to private/ smaller schools that can focus on student teacher relationships. Below, I will share with you the difference between the two.
             The public school system, to be fair, is not horrible or flat out wrong; it is just not built for everyone. Children with learning disabilities like myself are a prime example of those that get left behind or falter.  Tens of thousands of students graduate middle and high school every year with passing grades and go on to college to make something out of themselves. The main problem in my opinion with public schools is that they are too generalized or categorized. Standardized testing, block scheduling, and large format classrooms can support this. Why should your entire high school career be based on state standardized tests? My guess is laziness on the board of education’s part. Why does the whole school have to adhere to scheduling that may make certain classes too short or too long? Each school not taking the time to go through compiled information from years before too see how students did in classes that needed less or more time for them to stay focused. Finally, why do public schools cram as many students into one classroom as possible? Why put such an unfair load on one teacher, who might be lucky enough to have an assistant from time to time? If you are one teacher, with forty to fifty students in a classroom, how do you know you helped all of them? How do you know you did not leave any of them behind? How do you remember all their names?







             The culprit behind all of these issues is poor funding for public schools and overcrowding, which has led to the depersonalization of public school relationships between student and teacher. Not being able to spend more than a few minutes with each student in the classroom has crippled the teacher's ability to make sure each student understands what he or she is teaching. The teacher is so swamped with work load, that he or she is forced to rush through lesson plans in hopes that enough students understand and pass so that he or she does not get fired. This is not how things should be for the general population.
So where do I come in all of this? My story, like most others; involved me not performing well in school. I was not getting the individualized attention that i needed to excel in school. I was sitting in classrooms that had thirty five to fifty students in each class since 5th grade. All in all, i was getting left behind and losing my footing without even knowing it, by the time i was in seventh grade i was barely passing classes. Any of the classes i was passing were the few subjects that I was passionate about, or I was cheating my way through the semester. This was what dealing with public school was like for me and many others. When I dropped out of school in the beginning of junior year, I had lost hope years before, it had just taken me years to gain the courage and realize that i was not going anywhere. But all that was about to change.
I had been out of school for a year, working dead-end jobs and not being inspired to do anything with my life. My aunt up in D.C. knew of a small private school that she had sent some of her elementary students too. She said the school was from sixth grade to twelfth and that she would help my parents pay for it (it was a little pricey). I went up and visited and really enjoyed my orientation. They never pressured you into making a decision, all they wanted you to do was commit to your education and they would help you the whole way. I loved the school from the get go; with a total of 65 students from sixth to twelfth grade, ten teachers was more than enough for everyone to get the attention they deserved. You knew your teachers and administrators by first name, there was only a casual dress code enforced, no uniform. The school day started with home group, which was the entire school coming into the main commons to discuss anything that was coming up, announcements, roll call, and preparations for what food was going to be provided for lunch that day.

The classes were at most twelve students per class, which made it ideal for each student to have the teacher's undivided attention for up to 10 minutes. This made it possible for you to get something you were not fully understanding. The school had weekly progress reports instead of once a semester like in public schools we had been in before. This meant if you were falling behind in any area of any class, you were only at most a week behind, unlike in public schools where you could get up to six weeks behind. It's easier for anyone to catch up on only a few assignments or lessons instead of half a semester. The teachers all taught every subject, so it was very possible to have one or two teachers the whole day instead of three to five in public school. So you’re teacher could really build a relationship with you on every level, they could gauge how you were feeling throughout the day, and most importantly, if you did not get something from last class that you forgot to mention in that class, you could always bring it up and have the issue addressed.



I went from barely passing in public schools, to almost having a 4.0 grade average at Parkmont. I went from being bored out of my mind in large classes, to being unable to get distracted from learning in small classes. So if i were to sum up this experience in a sentence, i would say; small classes make for engaged students that actually retain the information they are given, they make for lasting relationships that i still have with my teachers to this day, and they most importantly, treat the students like they are an individual student, not just another number for the teacher to crunch and try and get through the year. If the reader of this paper would like to look into the school i went to, you can check it out on the internet by going to Parkmont.org. I strongly recommend it.


Now, where does this all tie up with West Hollywood Private School? 
It is a school that wants to think differently and outside of the box unlike public schools, 
it wants to build a relationship between the teacher and the student, and most importantly, 
it wants to nurture students that have come from being lost and hopeless in the public school system, to an independent student that wants to ask for help, wants to succeed, and wants to be able to know that their teacher or professor will be there for them. 
Thanks for reading, and I hope this story has enlightened you on the matter of thousands of children who need help out there.


I put this list together and these examples called "OTHER" are gathered from ten years of attempting to put the words of Big Picture into action.  Please send me your suggestions  ManyPosters@gmail.com)

BACK      NEXT     <<<< Go to the website

START HERE: Practices to help students discover their creativity

Welcome to a blog about Practices and Procedures for schools.  



CREATIVE practice #1:  Personalized Learning.  (page 218)


CREATIVE practice #2:   Move away from grades.  See Joe Bower and his crusade.   (page 171)

CREATIVE practice #3:    Show students how to REFLECT on their learning. Stonefields School in New Zealand

CREATIVE practice #4:  Keep asking questions  (Peter Cookson)

CREATIVE practice #5:  Let learning take place outside of schools (Peter Cookson)

CREATIVE practice #6:  Let teachers teach several subjects (allowing more contact with individual students)   LINK   (page 145)

CREATIVE practice #7:  Read excerpts from Sir Ken Robinson's reports with students and teachers  LINK    (page 104)
CREATIVE practice #8:  Begin with the End in Mind.
CREATIVE practice #9:  Include the hands -- engage students with visual arts and make sure students know how to change a tire.
CREATIVE practice #10:  Eating with students.  (John Corlette)
CREATIVE practice #11:    Digital Portfolios.   Look at what High Tech High can do  TinyURL.com/ExampleDP   (page 128, 146)
CREATIVE practice #12:   Take care of the brain (Dr. Daniel Amen's recommendations), the right fat, plenty of sleep and reducing Automatic Negative Thoughts with ANTeaters   Link
CREATIVE practice #13:  Invest in "walls that teach."  Learn about the "Third Teacher" from TheThirdTeacherPlus.com.   (page 193)
CREATIVE practice #14:  Put lessons on YouTube and join the 1-percent (see Vsauce)  (page 171)
CREATIVE practice #15:   Time is a variable.   Let students re-take tests and re-submit essays.  Work for mastery.  See Soundcloud.com (Alfred de la Rosa, Miami Arts Charter School and Dr. Fischler)
CREATIVE practice #16:  Create a MakerSpace  (see the article in EduTopia.org)
Design a MakerSpace <<< Edutopia.org  

CREATIVE practice #17:  "Show respect to everyone you meet." (John Corlette)  
CREATIVE practice #18:  Let the same teacher teach the same students for four years in a row.  (See Big Picture Learning)  (page 148-150)




The numbers on this list are arbitrary.  Creative Practices can be introduced in any order.  Get started.  They are in the order that the compiler encountered the ideas.  Page numbers




Send your comments and suggestions to NextGenerationXYD@gmail.com
This project is funded by XYDFoundation.org
For the complete list of Creative Practices, click here
To support the spread of Creative Practices, donate to XYDFoundation.org